The School of Visual Arts presented the Artist Residency Exhibition: Summer 2025 at the SVA Flatiron Gallery, featuring new works by alumni of the Fine Arts: Contemporary Practices program. The exhibition ran from May 28 through June 7, showcasing a diverse range of interdisciplinary works in sculpture, photography, performance, video, installation, and mixed media. Exhibition Event Link

Curated by Rachel Cohen, the exhibition brought together emerging and established voices who participated in the 2024 summer residency. Opening night included a panel discussion and a walkthrough led by participating artists. Daniel Cosentino presented recent work developed during and after the residency. The discussion focused on material exploration, research methodologies, and the evolving nature of public engagement in contemporary practice. Cosentino also shared reflections on symbolism, presence, and site responsiveness in his current series. The walkthrough allowed attendees to engage directly with the artists and learn about their creative processes.

The program highlighted the culmination of research and production by the artists-in-residence. Visitors were invited to experience a vivid and evolving snapshot of contemporary directions in visual art. Documentation from the event, including a video of the panel and selected photographs, is available upon request or by visiting the Cosentinoworks archive.

Daniel Cosentino’s reflective essay On Silence & The Latent Image has been published in Issue 8 of Full Bleed, a critical journal exploring the intersection of visual and literary arts. Published annually by the Maryland Institute College of Art (MICA) and edited by Paul Jaskunas, Full Bleed brings together voices from across disciplines to address urgent cultural, aesthetic, and political questions. Issue 8, titled Censorship | Manifestos | Ars Poetica, examines how creative practices respond to silence—voluntary and imposed.

In this text, Cosentino reflects on the role of latency and silence in his multimedia practice, which spans sculpture, photography, site-specific installation, and alternative image-making. The essay traces how periods of wordless, visual exploration gradually shaped a layered meditation on absence, memory, and transmission. Written during a time of deep studio investigation, it also includes a curated reading list—a glimpse into the research that shapes Cosentinoworks.

Full Bleed is produced in collaboration with MICA’s Publishing Culture program and features essays, criticism, poetry, fiction, and visual art. Its mission is to foster encounters between the arts and the humanities, challenging artists and thinkers to engage deeply with the world through their work. Cosentino’s essay contributes to this mission with an inquiry that blends critical theory and personal insight into the silent processes that shape contemporary artmaking.

Read the full essay: On Silence & The Latent Image

Explore the full issue: Full Bleed: Issue 8

Follow Daniel Cosentino’s work at www.cosentinoworks.com and on social media: @cosentinoworks | Facebook | LinkedIn

The Wayne Art Center proudly presented the 2025 Regional Juried Spring Open, a biennial exhibition held from March 30 through April 26, 2025. Showcasing 195 artworks across various mediums, including painting, drawing, printmaking, photography, mixed media, ceramics, sculpture, glass, jewelry, metals, fiber, and 3D printing technology,the exhibition featured work selected from submissions by over 1000 artists. Artists from six Mid-Atlantic states participated: Delaware, Maryland, New Jersey, New York, Pennsylvania, and Virginia. All artworks were available for purchase. Main Line Media News Article

Juror Christine Lafuente, an accomplished artist, curator, educator, and writer, selected the exhibited pieces. Lafuente holds an MFA from Brooklyn College and has received numerous accolades, including awards for excellence from the Pennsylvania Academy of Fine Arts. Her work is recognized for its masterful depiction of light and expressive brushwork. Patch.com Article

At the opening reception on March 30, awards were presented to outstanding artists. Paul Dusold received Best in Show; Kate Brockman earned First Place; Beverly Keefer was awarded Second Place; and Andrea Finch took Third Place. Juror’s Awards were given to J. Clayton Bright, Tracy Everly, Deanna McLaughlin, Steve Scheuring, Ronald Washington, and Frank Zadlo. Honorable Mentions included Jim Conner, Nancy Granda, Chris Krupinski, Mary Pritchard, Val Rossman, Shireen Saidi, and John Stritzinger.

Visitors were invited to experience this dynamic and wide-ranging exhibition, which celebrated the breadth and vitality of the Mid-Atlantic arts community.

Delivered at the University of Texas Rio Grande Valley, this lecture by Daniel Cosentino, a New Jersey multimedia artist, explores silence as a powerful visual language in photography. Cosentino examines how absence and latent imagery shape conceptual narratives, drawing parallels with his sculptural works and cross-media installations. He discusses the role of visual pedagogy in teaching audiences to interpret subtle cues, blending theory with practice to reveal the emotional depth of photographic silence. The talk underscores Cosentinoworks’ commitment to innovative art education, engaging attendees with insights into contemporary art’s ability to evoke reflection and resilience.

Source: UT RGV Press Release

Featured in Naturalist Gallery, this article showcases Daniel Cosentino’s innovative approach to the human form through mixed media, combining photography, anatomical sculpture, and digital glitch aesthetics. As a New Jersey conceptual artist, Cosentino reimagines classical art traditions, infusing them with contemporary symbolism to explore identity and perception. His work, part of Cosentinoworks’ broader multimedia practice, examines how the body serves as a canvas for cultural narratives. The feature highlights his use of 3D-printed elements and typographic sculpture, offering a fresh perspective on the interplay between technology and artistic expression in modern visual art.

Source: Naturalist Gallery

Daniel Cosentino’s contribution to the Newark Museum of Art’s ReVision and Respond exhibition captures the essence of collective trauma and resilience during the global pandemic. As a New Jersey multimedia artist, Cosentino blends photography and sculptural installation to create poignant reflections on human adaptability. His work, showcased through Cosentinoworks, explores the fragility of contemporary life, using layered textures and symbolic imagery to evoke shared experiences. The exhibition highlights his role as an artist-educator, fostering dialogue on how art can heal and unite communities in times of crisis, making it a landmark moment in his public art practice.

Source: PBS/NJ Spotlight

In this critical essay published by Kosovo 2.0, Daniel Cosentino examines the evolving symbolism of Kosovo’s Newborn monument, a landmark of post-independence identity. As a New Jersey conceptual artist, Cosentino critiques the monument’s commercialization, arguing it risks diluting its collective memory in a post-conflict society. Through Cosentinoworks, he explores how public art shapes national identity, using a visual arts lens to analyze space, symbolism, and cultural history. The piece reflects his broader interest in urban memory and participatory art, offering a nuanced perspective on the challenges of preserving artistic intent in dynamic public spaces.

Source: Kosovo 2.0

Daniel Cosentino, founder of Community Design Prishtina (CDP), spearheaded the initiative to transform Kosovo’s public spaces through participatory art and design. As a New Jersey artist-educator, Cosentino’s work via Cosentinoworks integrates architecture, visual culture, and civic dialogue to empower communities. The project engaged local residents in collaborative place-making, blending socially engaged art with educational methods to foster inclusivity. Highlighted by the Kosovo Architecture Foundation, CDP exemplifies Cosentino’s commitment to using art as a catalyst for social change, redefining urban environments through creative participation and symbolic expression.

Source: Kosovo Architecture Foundation

The “Intersect” group exhibition, hosted by the Herron School of Art + Design, features Daniel Cosentino’s innovative video art and performance pieces exploring digital-age communication. As a New Jersey multimedia artist, Cosentino’s contributions through Cosentinoworks delve into sensory overload and the human condition, using photography and performative elements to probe emotional residues of mediated experiences. His work reflects on how technology shapes interpersonal connections, offering a poignant commentary on contemporary visual culture. The exhibition underscores Cosentino’s versatility, blending conceptual art with new media to engage audiences in reflective dialogue about modern existence.

Source: Herron School of Art + Design

Daniel Cosentino served as a special guest at the 52nd October Salon in Belgrade, Serbia, for the conceptual exhibition Disputed Histories Vol.03: FALSE TRUTHS, curated by Vahida Ramujkic. Through Cosentinoworks, the New Jersey artist facilitated a cross-border dialogue by bringing Kosovar students to engage in discussions on symbolism, truth, and national memory. Supported by the SOROS Foundation, the project explored contested histories through collaborative art, reflecting Cosentino’s commitment to participatory practices and alternative art forms. His involvement underscored the power of visual art to bridge divides and foster understanding in complex socio-political contexts.

Source: Disputed Histories

Daniel Cosentino’s Prishtina Mon Amour transformed Kosovo’s Palace of Youth and Sports into a vibrant stage for a one-night performance and video installation. As a New Jersey multimedia artist, Cosentino collaborated with international creators through Cosentinoworks to reclaim post-Yugoslav memory. The project blended light, visual symbolism, and community reflection, exploring public art’s role in reshaping urban narratives. By engaging local audiences, Prishtina Mon Amour highlighted Cosentino’s dedication to participatory art, using cross-disciplinary approaches to evoke shared histories and inspire collective imagination in contemporary art contexts.

Source: YouTube

Presented at Stacion’s Summer School as School in Prishtina, Daniel Cosentino’s lecture bridges art education and community design between the United States and Kosovo. As a New Jersey artist-educator, Cosentino explores participatory visual art, urban memory, and pedagogy through Cosentinoworks. He discusses the artist’s symbolic role in contested spaces, weaving together themes of civic engagement and cross-cultural dialogue. The talk highlights his interdisciplinary approach, using conceptual frameworks to inspire students and practitioners to reimagine public spaces through art-based public discourse and innovative teaching methods.

Source: Stacion – Center for Contemporary Art

Featured on Kosovo’s Ora 7 morning show, Daniel Cosentino discusses the launch of Community Design Prishtina (CDP), a transformative initiative for public engagement. As a New Jersey multimedia artist, Cosentino shares through Cosentinoworks how design fosters civic participation in Kosovo’s evolving urban landscape. He highlights CDP’s role in empowering communities to shape their environments, blending art, architecture, and social dialogue. The interview showcases his vision as an artist-educator, using participatory practices to create meaningful connections and inspire collective action in contemporary public spaces.

Source: YouTube

At the 2012 Society for Photographic Education (SPE) Northeast Regional Conference, Daniel Cosentino delivered a compelling presentation on photography’s role in conceptual art. As a New Jersey multimedia artist, Cosentino explored through Cosentinoworks how image construction and identity intersect with visual pedagogy. His talk bridged academic discourse and contemporary lens-based practices, examining how photography shapes cultural narratives. By integrating theoretical frameworks with artistic innovation, Cosentino engaged educators and artists in a dialogue about the evolving language of visual art, reinforcing his reputation as a leading artist-educator in the field.

Source: Vimeo

Published in The Design Journal, Daniel Cosentino’s academic article dissects the controversial design process of Kosovo’s post-independence national flag. As a New Jersey conceptual artist, Cosentino uses design theory through Cosentinoworks to critique the symbolism and aesthetic choices shaped by committee decisions. He explores how national identity is constructed through visual language, questioning the balance between collective representation and artistic integrity. The piece reflects his broader interest in symbolic language and public art, offering a scholarly perspective on the challenges of creating enduring icons in a new state’s cultural landscape.

Source: The Design Journal